From bricks to walls

International Women’s Day Special
Those who made a difference

“One of our favourite pastimes was to gather with our friends on the rooftops and practise broto-chari...with the daily laundry strung as 'tents' off course,” my mother would tell us whenever women's movement came up in the conversation. Here they learnt the simple dance and songs which led the way to Bratachari Movement, initiated by Gurushodoi Dutta.

With so many forces barring women's freedom, this was the only acceptable compromise. Little did anyone know how these simple routines would slowly evolve and inspire women to emerge from their age-old confines. Dr. Nurun Nahar Fyzennessa (my mother), had been at the forefront of women's movement for over 50 years and I believed her when she said that the greatest changes could start from something seemingly insignificant.

The brotochari dance encouraged patriotism, secularism and most importantly physical and psychological fitness amongst the youth. Progressive families championed the spirit of education and culture even amongst girls. A handful of girls who were emboldened with such opportunities soon stepped into the world beyond their courtyard. This was the beginning and soon the time would come when that step would take women on to the stage of performing arts, in essence the very core of society.

The radio of course played a significant role. After the 1947 partition, the first radio station was on Nazimuddin Road in old Dhaka, the then city centre. Perhaps, out of sight of viewers, the radio was the most attractive channel for women to perform for the audience and yet maintain their privacy.

Vocalists Afsari Khanam, Anjali Mukherjee, Malika Perveen were joined by legendary voices of Feroza Begum and Laila Arjumand Banu. The golden era of music in erstwhile East Pakistan (during 1955-60) was led by Ferdousi Begum, Anjuman Ara Begum, Mahbuba Rahman, Farida Yasmeen, Nina Hamid, Sanjida Khatun and Farida Bari Malik to name a few. After Liberation War, the momentum was nurtured by a host of talented artists from Sabina Yasmeen, Shahnaz Rahmatullah, Runa Laila, to Papya Sarwar, Nilufar Yasmeen, Shabnam Mushtari, Rezwana Chowdhury, Farida Parveen and other reputed artistes.

The theatre world was not far behind. I often heard stories from my mother about how very few women initially joined the drama circle when she herself entered the scene along with Madhobi Chatterjee, Nomita Anwar, Lilly Chowdhury, Biju Mustafa and much later Ayesha Khanam, Mirana Zaman and others. In films Sultana Zaman, Reshma, Sujata, Sumita Devi, Shabnam, Rosy and later Kabori, Babita, Shuchanda also joined in gradually.

Then there was Khelaghar, an immensely popular radio programme aimed at nurturing the budding talents way back in the mid '60s. Shahnaz Rahmatullah, Sabina Yasmeen, Shaheen Samad, Sabiha Mahbub, Abida Sultana and myself appeared almost every Sunday, then the weekly holiday. Children gathered from all around the city to sing or recite a few lines from poems. Dr. Fyzennessa initially conducted the programme and after a decade, Hena Kabir took over.

Over the years, some of the leading dancers to grace the stage were Rahiza Khanam, Laila Hasan, Sharmin Hasan, Dahlia Salauddin, Kajol Ibrahim, Lubna Marium, Zeenat Barkatullah, Shamim Ara Nipa, Munmun Ahmed and others.

The changing role of women progressed slowly from the makeshift tents on rooftops, to centre stage to public media -- growing from strength to strength. Change needs a face, and these spirited artistes leave a lasting image of the women's movement. Let us take a moment to honour women everywhere, not only as a part of today's agenda, but to treasure them as role models who inspire many.

Source: The Daily Star

“Otoshi Mami”: Manik Bandopadhyay’s first published story comes to life

On the occasion of pioneering Bengali litterateur Manik Bandopadhyay's (1908-1956), birth centenary, Production house Splendor premiered the telefilm "Otoshi Mami," an adaptation of Bandopadhyay's short story with the same title, on March 5. The film was screened at Bengal Shilpalay. It should be mentioned, "Otoshi Mami" (1935), was the first published story by the author.

Simon Zakaria adapted the story for the film. Humayun Kabir Himu and Parvez Amin jointly wrote the script and directed the 72-minute film. Bannya Mirza plays the titular role while Ahmed Rubel, Jhuna Chowdhury, and Shoeb play other important characters in "Otoshi Mami".

The story deals with a group of people who believe that art is larger than life. The film begins with young Suresh (Shoeb) playing flute. His uncle, Horen (Jhuna Chowdhury), discourages him, telling him the story of his flutist friend, Jatin. According to Horen, if one heard Jatin play the flute, he would never wish to play the instrument again. Curious, Suresh sets out for Jatin's place. At Jatin's, Suresh meets a man who is ready to sacrifice his life in the pursuit of his craft. A devoted artiste, Jatin (Ahmed Rubel), is dying from tuberculosis and every time he plays the flute, he has to pay a heavy price with blood-tinged cough. Suresh also meets the flutist's young, beautiful and devoted wife. The woman, whom he calls "Otoshi Mami," particularly impresses Suresh and he is strongly moved by her determination to prevent her husband from playing flute. Years later, Suresh comes across Otoshi again, this time on a train, garbed in all white.

With strong performances by the actors, the telefilm becomes a poignant narrative. The directors seem quite aware of each and every detail. Background score by Komol Khaled is complimentary to the production. In certain scenes, however, the audience found the film a bit dawdling. Sheikh Saiful is the cinematographer of the telefilm.

Exquisite Bonsai Exhibition

A four-day Japan Cultural Festival began at the Bangladesh Shilpakala Academy (BSA) premises on March 4 with an exquisite bonsai contest and exhibition. The Embassy of Japan and BSA have jointly organised the festival, which will end tomorrow with the staging of BSA's Japanese theatre production, "One Hundred Sacks of Rice", at the National Theatre Hall. Screening of a Japanese animation film, "Nobita's Dinosaur 2006", is also on the cards.

On March 4, Masayuki Inoue, ambassador of Japan to Bangladesh, inaugurated the festival at the National Art Gallery. In his speech, Inoue extended his condolences to the victims of last weeks' tragic incident at the BDR headquarters and their families.

The organisers have had to reschedule and cut short the eight-day programme (earlier scheduled to start on February 28) to four days and have had to cancel a four-day ikebana exhibition.

Among others, Bhuiyan Shafiqul Islam, director general of BSA, was present at the programme.

The bonsai exhibition is jointly organised by Bangladesh Bonsai Society (BBS) and Japanese Embassy. The exhibition featured nearly 100 miniature version of trees including common Bangladeshi trees like Bokul, Tetul, Pakur, Hijal, Bougainvillea and Kamini.

Bonsai has flourished in Japan as a creative art and epitomises scenic beauty, seasonal moods and the natural environment. Bonsai enthusiasts believe that this art reflects our love and concern for the environment and for trees in particular--which transforms gigantic trees to miniatures and suitable for homes.

Since 1999, the Bangladesh Bonsai Society has undertaken creditable efforts to promote this Japanese art. At present, apart from Dhaka, the society has extended its branches to Rajshahi, Sylhet and Habiganj.

Three of the best-exhibited potted plants will be awarded at the exhibition.

Prof. Anisur Rahman: A lifetime of devotion to music

Premiere of “Bhuban Bhora Sur” at Public Library

On March 3, a documentary titled "Bhuban Bhora Sur" (Melodies of the Soul) on Professor Anisur Rahman's thinking and interpretation of rendering Rabindra Sangeet was premiered.

Professor Anisur Rahman is a devoted Tagore enthusiast and an interpreter of the rendition of Rabindra Sangeet in a style that is very much his own. Professor Rahman has been praised over the years for his unique approach to Tagore songs.

The premier was held at the Shawkat Osman Auditorium, Central Public Library. Many eminent personalities attended the programme.

Shabnam Ferdousi has directed of the film while Meghna Guhathakurta and Shipra Bose have jointly produced it. Throughout the approximately hour-long documentary, Professor Rahman explains different aspects and ideas that are related to Rabindra Sangeet. The film, shot at different locations, takes the audience from Professor Rahman's living room to Tagore's Kuthibari in Shilaidah.

Professor Rahman has written several books on Rabindra Sangeet as well as on economics. One of his books, titled "Songs of Tagore," contains English translations of 65 Tagore songs and an elaborate discussion on the genre. Professor Rahman received the biennial “Rabindra Award” given by Rabindra Parishad of Patna in 2004.

At an open discussion held after the screening, Professor Rahman's admirers shared their views on the documentary as well as Rabindra Sangeet.

"I would like to describe the documentary as an essay on film. The imagery with Anisur Rahman's rendition is remarkable," said Syed Shamsul Haque.

In his speech, educationist Borhanuddin Khan Jahangir said, "I'd like to thank the director and producers for their effort in presenting the introvert Anisur Rahman through this work."

Among others, human rights activist Sultana Kamal, Professor Khan Sarwar Murshid, film teacher and auteur Manzare Hasin Murad and Shamim Akhtar spoke at the programme.

The lighter side of Richi Solaiman

Over the years Richi Solaiman has become a familiar face on TV and has won many accolades for her moving performances in several serials. Another identity of Richi that might be unfamiliar to the audience is that she is a trained Kathak dancer.

Richi shared her likes and dislikes during an informal conversation with The Daily Star:

What is the best compliment you have received so far?
Someone came up to my mother and asked her whether she was Richi Solaiman's mother. When my mother said "yes," the gentleman commented, "There is a lot of verve in Richi's performance and I really respect her as an artiste.”

What embarrasses you the most?
When I send an SMS to the wrong person. For example, when you send a joke meant for a friend and by some fluke it goes to a senior person, it's quite embarrassing. This has happened a few times with me.

Do you have any unusual streak in you?
I don't mean to do this but my near and dear ones have told me time and again to drop this habit of jumping on the bed when I am angry.

Which fictional character from a novel/book would you like to play?
I would love to play the lead character in Shomoresh Majumdar's “Cinemawala”.

The worst comment you have heard so far...
A woman came up to me once and said, "Girls in the media are rarely good," knowing very well that I am a part of it.

Do you have any obsessive habit?
I am absolutely crazy, obsessed and fanatic about shopping. If I'm depressed for some reason or other I will go and shop, if I'm in a happy mood I will celebrate by splurging. I always look for an excuse to shop.

Any word you keep repeating?
Definitely I have it. Though others would be able to say it better but I guess definitely it will be 'definitely'.

Name three things people don't know about you.
I can keep secrets locked deep down inside, I buy very nice gifts. Not sure about the third one.

Many lovers say they would die for their other half or do all kinds of crazy things; what would you do?
I see no point in dying though I would try and do things that make him happy. I am a level-headed person.

A person who won the dreams……

It was May 12, 1993. People from different businesses gathered in front of one of the houses of the middle point of Dhaka city and that is Science Laboratory. Because a small house show was organized on the dresses. The organizer was the newly married wife of Mr. Khalid Mahmood Khan of that family. The balcony of that house was very lively and full of crowd on that afternoon. Dresses of 25 to 30 designs were being displayed on that exhibition. Few of the guests had also bought some of them even ordered some more clothing. Gradually these demands made her to think in a new way. This is the story of one of the most popular fashion houses “Kay Kraft”.

The successful house Kay Kraft has not only become very popular in Bangladesh, it has also achieved great acceptance in abroad. Day by day Kay Kraft has become the best fashion house for the fashion and trend lovers. Starting from the 1993 to today, Kay Kraft has become the best fashion house. Though Kay Kraft started with only 3 workers, but now he has arranged thousands of employments. It is to be mentioned that the person who has been struggling for all these great achievements and success, he is none other than Khalid Mahmood Khan. Khalid Mahmood Khan is also a very known figure to all the fashion lovers.

Khalid Mahmood Khan was born in June 23 of 1968 at Dhaka Mirpur. His father late Mr. Hassan Mahmood Khan used to be a Government Service holder. He used to live with his parents and a little brother Shammi Khan. Khalid Mahmood Khan has passed his childhood in the area of elephant road and science laboratory. He has completed till class 08 at Government Laboratory High school and then he was switched to Pabna Cadet College. After getting the SSC Certificates he got admitted into Dhaka College and on the year of 1987 when he passed the HSC then he joined City College for normal BCom. Gradually, he migrated to USA with the consultancy of his parents for higher studies on Managements. After coming back on 1992, he found his life partner Ms. Shahnaz Khan. The main initiator of today's Kay Kraft is this Shahnaz Khan. While he was asked about this, he replied with smiling “Honestly speaking, I am working as an assistant here.”

Khalid Mahmood Khan informed gladly about how the name “Kay Kraft” arose, "When I was in America, there was a very popular radio channel and they used to have program named “K-Rock” which was one of my favorites. So when it was the time of naming our organization, then few of my family members fixed 5 names. So we took “K” from our family name and put the craft with another “K” and thus the name appeared... (smiling). After this we started to tag the logo with all of our own products. Gradually it became a brand name.

When he was asked about the initial investment of K- Kraft, he smiled once again and said, “It was huge. In fact, this was only few thousands of taka along with our millions taka worth of confidence, target and dreams. Comparing to today's world it might be nothing, but at that time it was huge for us. Investment was not the main issue to us, our main target was to work with great inspiration. And that is why K-Kraft has achieved the faith of its client. I believe that this faith of all the customers is the biggest investment for ‘K-Kraft’ for further betterment.”

Khalid mentioned about the characteristics of the dresses of K-Kraft, “Our main target is to achieve the satisfaction of the customers by the quality, color and design. That is why before distributing a new model to the market, we examine it properly by ourselves and then we go for production. Besides we have a creative team who keeps on making new designs all the year round. For this reason, we make a database of the clothing taste of the customers which helps us to fulfill their demands. Since we always prefer the customers' choice first, our products have got maximum acceptance.”

Each and every step of the life, Khalid remembers the name of the editor of Bitchitra Magazine ‘Late Shahadat Chowdhury’ and also fashion designer ‘Chandra Shekhor Shaha’. He said, “These are the two key persons of K-Kraft whose involvements has brought K-Kraft at this place. Moreover, I am the most grateful to the initiator of this organization and beloved wife ‘Shahnaz Khan’. He added, “Her utmost dedication and involvements in this organization brought us here. Beside this, I would also like name those people who are involved with TAAT SHILPO and their extreme cooperation that helped us to move ahead smoothly.” Khalid Mahmood Khan loves to dream about doing some better things and his positive dreams are encouraging him to move onwards with a great success. ‘Stardom’ also wishes him more and more achievements in future through which the people of our country will also enjoy the new trends and styles.

Make Up Tips

During this season, your makeup should be more attractive and dazzling compare to other season. Winter is such a time when you can use dark eye shadow even in the day time and also could use glossy leap stick. Brightness comes automatically in the makeup in this season. We all do make up in our daily life even if in minimum. But party makeup is different from our usual daily makeup for which we have to be very carefully thus it could differentiate us from others.

You have heard many times that make up in day time would be comparatively lighter than the night, that means in the day time make up should be matched with nature. During daylight one should do her make up in such a way that people think that she has not put extra layer on her face. On the other hand it might happen that in the day tome you are going to the parry where there is less light, then you can go for heavy make up for that party. But no matter day or night following color of blush on, eye shadow and leap stick would always match with your face.

For fare complexion, brown pink, light brown, peach and golden peach color blush on would be perfect. Leap stick should be pale pink, coral, rich red, peach brown and warm pink and the color of the eye shadow should be blue, apricot, grass green, golden, sand brown, grey, soft brown, cornflower blue, violet and other pink shed.

For brown complexion peach and golden color blush on would be perfect take the leaps stick of honey, pinkish, golden brown, rust and terracotta color and the color of the eye shadow would be golden, pinkish, military green, deep pink, smoky block and base brown.

For black complexion the color of your blush on should be copper, rust, dark rose and bronze. Leaps stick should be of reddish brown, burgundy and cocoa color. The color of the eye shadow would be rust, purple, golden, brown, copper and smoky brown.

Tips that would make you the attraction of the party:

>> Try to take shower for a longer time and also try to take rest for some times before going to the party that would make you fresh.

>> Use a good quality conceller to cover any black spot.

>> You could use shimmer mixed translucent powder after using foundation.

>> Do heavy eye or leaps make up but don't go for heavy make up for both eye and leaps.

>> The use of cream blur would make you more natural.

>> Smoky eye make up is per for winter, besides you can different shade of coffee color eye shadow.

>> Change could be made using brown color mascara rather than using black color mascara.

>> Honey and black berry color leaps stick is perfect for winter though deep brown, burgundy wine and blood red color leaps stick is suitable for complexion of our country. If want you can keep pink, orange and move color leaps stick your bag.

>> Decide the party attire on night before the party, necessary you can go for a trial thus there is no mismatch between bag, dress and sandal.

>> Choose the color of leaps stick, blusher and eye shad based on your complexion.

>> Choose a hairstyle for party which is easier but beautiful.

>> Avoid using too much ornaments in the party.

>>Use fresh nail polish before going to the party.

>> Use moisturizer on each and every night, even during the time use a good moisturizer suits your skin.

>> If your skin become dry winter then use moisturizer or lotion by mixing with foundation.

>> Avoid using mat leaps stick in the winter rather use gloss cream leaps stick but gloss leaps stick is more appropriate for night. Mat and dark leaps stick will make your leaps thin and gloss leaps stick will make your leaps thick.

>> Only in this season you can use dark eye shadow if you want even in the day time.

>> If you see that the color of make up accessories has changed during winter then don't use those make up. For using any make up for the first time try to buy the smallest container to check how does it suits with your skin.

>> Don't use hair dryer after putting make up because hot air can spoil the base of the foundation.

>> While doing party makeup don’t forget to put foundation on and leaps to maintain the similarity.

>> Put some loose powder under your eyes before using eye shadow thus you could easily remove the extract of the eye shadow that would fall while putting eye shadow.

>> Soak the brush of the eye shadow in water before using.

>> You must clean your make up before going to sleep.

>> As our skin become dry in Winter, translucent powder could be avoided during make up.

>> Do some free hand exercise on daily basis. You can practice Yoga and Aerobics. You will get extra glow in your skin if you do aerobics three days in a weak for 30 minutes.

>> To get fresh skin start thinking positive, sleep properly and drink lots of water.

>> To hold the wetness of the skin during this season drink a cup of hot milk by mixing ¼ tea spoon of butter (ghi) in it.

>> Mix a lemon in a cup of hot water, this is a Chinese therapy. This lemon water would remove the waste from our body which is responsible for making our body dry. Other than that drink 8 to 10 glasses of water on each and every day.

>> Eat an apple on each and every day because there is a proverb “An apple once a day, keeps the doctors away”. Besides eat lots of Cauliflower which is very good for our health.

>> Eat more fruit and vegetables that contains fiber such as nut, almond, dates, peas etc.

>> Don't forget to use Ant spirant and use perfume.

>> During day time cotton clothes of light colors are suitable, but remember that what ever you wear no matter it is salwar kameej, sari or Fatua- it has to be well fitted with body structure, color and make up. Dark and gorgeous clothes are good for night.

>> Try to lead a tension free life because.

>> Use regular face musk. If there is nothing then smash the ripe banana and rub your face. Yogurt also works as good face musk.

Experience Speaks

The highest recognition of Bangla cinema in our country is the National Award. The king hero Razzaq was first awarded this for his acting in the movie “Protinidhi”. Not only this, has got national award for 7 more times after this. While sharing his feelings of getting award for the first times he said “Any kind of inspiration increase intentness and accountability to the work and if that inspiration is the National Cine Award then definitely the concentration for acting highly increases. My responsibility towards acting increased many times after getting the national cine award for “Protinidhi” and for that I got opportunity of working into many an example for the new generation. “For an actor, it is definitely a matter of appreciation upholding the popularity in acting starting from the beginning till today because he is the only one actor who is restlessly acting in the movie from the beginning of his acting career. All of his works are worth mentioning.

This legend artist started his journey in the showbiz by acting in the movie “Behula” of Zahir Raihan. In this movie, heroine “Suchanda” was his co-artist. But before that movie, he has acted in some dramas in the small screen. Razzaq inlaid with the Bangla cinema as an assistant director. He has worked as assistant director in quite a reasonable number of cinemas with “Kamal Ahmed”. But as he knew acting from before. Zahir Raihan gave him the debut chance as a hero in the large screen. By his super acting power, he became a heartthrob hero to the viewers in a very short period of time. He became like a hot cake to the directors and producers at that time and that was the beginning of his success. Till now, Razzaq is equally popular among the countrywide people like before. Many of his contemporary actors and actresses are far away from the large screen or some of them hardly come in front of the camera, but the king of heroes of the “Dhaliwood” is still energetically acting in the large screen. The pair system in Bangla cinema was first formed by Razzaq - Kobori through their acting in the “Abirbhab” directed by “Subhash Dutta”. Commercially this was a heat movie and the viewers accepted well the Ruzzaq - Kobori pair and thus they have acted in many movies after this. Not only Kobori – Razzaq, the couple Razzaq - Shabana was equally popular to the viewers. In this regard, Razzaq says “Actually the technique of the hero-heroin coupling a good concept of getting more popularity from the viewers and to bring some changes to the likings of the viewers. I started working with 'Shabana' and the viewers also accepted me with 'Shabana'. I would rather say that this is my luck otherwise it is really difficult to understand what the viewers actually want.”

Gradually, Razzaq also got involved in producing bangle movies. His first produced movie was “Rongbaz” which was released from Razlaxmi production. Because of the uniqueness in the story and the acting quality of Razzaq, this movie was commercially successful and that inspired him to continue as producer. Razzaq introduced his elder son “Bapparaj” among the viewers through a movie “Chapa Dangar Bou” which was also released from Razlaxmi production. In 2001, another movie “Moron Niye Khela” was released from “Razlaxmi Production”. This movie was not that much successful, so Razzaq stopped making movie under his production after this. But Razzaq mentioned “Due to obscenity in Bangla cinema. I have stopped making movie because at that time the viewers became more interested for obscene movie”.
After being away from the movie production for long eight years, this year Razzaq is producing a movie titled as “Ami Bachte Chai” under the banner of RS Entertainment. His younger son “Shomrat” has started his film career through this film. Viewers have accepted “Shomrat” and for that Razzaq is producing another movie called “Koti Takar Fokir”. In this movie the king hero Razzaq, Bapparaz and Somrat are going to act together which is for the first time. This movie is going to be released during Eid. Razzaq says about Shomrat “While acting sometimes, he becomes impatient. As a director, I would say Shomrat is an excellent artist and any director can fit him in any kind of diversified character”.

About the prospect of Bangala cinema Razzaq said that Cinema business would be able to reach up to a remarkable level if the video piracy could be stopped. Besides he also emphasized on the modernization of the FDC.

The power of lyrics

Kabir Bakul is one of his generation's most successful lyricists. Over the last two decades he has been writing songs, some of which have been featured in films. He has worked with most of the talented and established singers and composers of the country. At present, this behind-the-scene cultural personality is also successfully hosting a musical programme. But his success did not come overnight. Recently in a conversation with The Daily Star, the lyricist talked about his struggle and success.

Bakul was born and raised in Chandpur. His passion for the arts, in particular poetry and music, was evident at a young age. In his early days, he was involved with theatre, recitation and music. But it was noted 'adhunik' singer Tapan Chowdhury who first recognised Bakul's talent. "In 1988, I showed three of my songs to Tapanda. At that time he was the vocalist of the band Souls and I had a cordial relationship with him. My first song "Kaal shara raat" was featured in Ayub Bachchu's (also a member of Souls at that time) first solo album "Moina." It earned me my first recognition as a lyricist," said Bakul.

Later another of those three songs, "Pothey jetey jetey" was featured in another Souls member Nasim Ali Khan's solo album.

Soon Bakul saw a potential career as a lyricist and during his student days in Dhaka University, he started to maintain liaisons with musicians. In his words, "I started going to recording studios and eventually met Sheikh Ishtiaque and Pranab Ghosh."

"Tapanda played a key role in promoting my songs. I'll always remain grateful for his support. He and Pranab Ghosh made tremendous contributions to what I've become today," said Bakul.

Bakul turned to writing songs professionally in 1991. In 1994 he wrote his first song for a feature film, the late Abu Taher's "Agni Shantan." The film featured two songs written by Bakul, rendered by renowned singers Andrew Kishor and Runa Laila. According to Bakul this was another remarkable incident in his career.

He said, "Those two songs changed my career as I was nominated for an award. It inspired me profoundly and I decided to write songs for films regularly after that."

In recent times, films like "Bachelor," "Chandra Grahan," "Shubho Bibaho" and "Rani Kuthir Baki Itihash" featured Bakul's songs. Some of his popular numbers in these films are "Keu prem korey," "Tomarey dekhiley poran bhoria" and "Bhalo bashbo bashborey."

At present Bakul is hosting a musical programme titled "Sur Shambhar," aired on Bangladesh Television. Alongside noted singers, the programme features behind-the-scene artistes and musicians.

"I think for a song to attain popularity, eloquent lyric, able composition and effusive vocals are must. A good song is a result of good teamwork. So credit should go to all who work behind a song. I consider myself a behind-the-scene person. So I want to give recognition to those who seldom come to the front but deserve accolades," said Bakul.

So far Bakul has grabbed numerous awards including a Citycell-Channel i Music Award.

‘I believe in quality, not quantity’

Iconic television anchor Hanif Sanket tells Mushfique Wadud that he would not have made such a tremendous journey with now 21-year-old television show Ityadi without the love of the people of Bangladesh

Rickshaw puller Monir Ahmed has been blind since birth. He, his wife and their son live in the village of Modhupur under Rampur in Feni.

Monir’s son Sharif Ahmed can see and little Sharif provides Monir the assistance to manage his livelihood. As Monir cannot see, Sharif shows him the way when he pulls the rickshaw. Monir comes to Feni town with the prospect of higher earnings. His wife and daughter live in their home town where his wife works as a maidservant. As they have no place to stay in town, Monir and his son spend the nights at different construction sites in Feni town.

The poor rickshaw puller and his feeble rickshaw pulling with his son was seen in the Ityadi variety television show on its 21st anniversary programme. Monir was given Taka one lakh from Ityadi for his children’s education and living expenses.

This is a unique characteristic of Ityadi which turned 21 this year. The programme’s main attraction is its anchor Hanif Sanket. Hanif Sanket believes artists have some social commitments, which is why social awareness programmes have been telecasted on Ityadi from the very beginning, though it is an entertainment television show. ‘I prefer a social awareness documentary for my social responsibilities. Irregularities in society hurt me. But I cannot do anything against them since I have no administrative powers. So I try to make people aware with the help of Ityadi,’ says Hanif Sanket.

Sanket first appeared in the media in the early 80’s. He started with comic skits on Fazle Lohani’s variety show ‘Jodi Kichhu Mone Na Koren’ (‘If You Don’t Mind’). Sanket’s variety television show Ityadi (Etcetera) was first telecast on Bangladesh Television in 1989. From that time Ityadi has been telecasted without any change of anchor or format. Ityadi is the sole BTV programme that has been telecasted with the same anchor for such a long time.

‘Sometimes I myself cannot find a clue as to how I made such a long journey. Then I find the answer – the people of Bangladesh love me and this love helps me reach such milestones,’ he says.

Ityadi was shown twice in a month in 1989 when it first started. After two years it became a monthly programme and now it is telecast every fifth Friday. ‘I believe in quality, not quantity. Now I am very conscious of the quality of Ityadi, so there are gaps between the programmes now,’ Sanket says.

The veteran presenter believes every work should have some output. ‘The audience’s time is valuable, so we cannot telecast whatever we like. Every programme must have a message,’ he says. Mainly for that reason he does not want to give interviews as he does not like the interview format in Bangladesh. ‘You will see most of the interviews are about celebrities’ very personal matters. Journalists ask about his or her favourite food, about his or her favourite hobby and so on and so forth with which readers have no benefits. And I always avoid such interviews. I believe you have to be creative even when you are taking an interview,’ he explains.

For television programmes, there is measuring system to judge which is the most popular programme on all the channels – the top rated programmes (TRP) ratings. Ityadi has always been ranked first in TRP ratings. TRP also includes private channels’ programming. In spite of having some popular programmes on private channels, Ityadi has held its place at the top for a long time. ‘In our country many producers claim their programmes are the most popular. But in TRP ratings they are invisible. Ashole ami kothay na kaje bishashi (I believe not in words but in work).’

For its 21st anniversary programme, Hanif Sanket arranged Ityadi at the Lalbagh Fort premises. Ityadi is the first programme that has been shot on the premises of Lalbagh Fort. Like Lalbagh, Sanket always shows innovation even in selecting sites. ‘When I first wanted to arrange a programme at Bangladesh China friendship Conference Centre, its authorities said they could not give me permission for security concerns. But I insisted and got permission. Now the centre’s authorities are making profit by giving it for rent,’ he says. In the past, variety shows were shot in any indoor hall. Hanif changed the system by doing shootings in different outdoor locations.

Ityadi and Hanif Sanket have many achievements. In May 2007 ARTE television’s producer Mathew Sarfaty and cinematographer Paul Paskan visited Bangladesh to make a documentary on Ityadi and Hanif Sanket. ARTE television authorities picked Ityadi from the most popular programmes from 40 countries and showed this documentary in France and Germany.

Sanket works hard for the script. On Ityadi, most of Sanket’s dialogues are in rhyme. He speaks with reference to literature, an indicator of his letter marks in Bangla in his Secondary examination.

Hanif Sanket has interviewed many celebrities from home and abroad in Ityadi including Shah Rukh Khan, Mithun Chakraborty, Wasim Akram, Saurav Ganguly and many others.

From the beginning, Ityadi was telecast on Bangladesh Television. Even with so many private television channels today, Ityadi remains telecast on BTV. ‘I want to give messages through Ityadi. The number of viewers is important for this purpose, which makes BTV the best option,’ says Sanket.

Sanket has also directed dramas that were highly praised by critics and viewers alike. His ideas about drama are distinctive. He believes directors should give social awareness messages through their works. He also talks about the recent trend of dramas. ‘At present a group of so-called media figures try to bring vulgarity in dramas. We should beware of them,’ he says.

‘Once I was watching a drama. The scene was of a girl and a boy talking in a room. Then the girl’s mobile starts ringing. The girl says to the boy “Stop, stop. My father is calling.” Then the girl tells her father that she is in class. After telling the lie they hug each other. What was the message the drama gave?’ he asks. He also objects to the recent trend of directors of using languages that are not up to standard. ‘Any one can speak rough language but it cannot be language for drama since people follow the language of drama,’ he says.

Apart from an excellent job with Ityadi, Hanif proves his innovativeness in other tasks. He gives programme ideas to different private channels. He made a programme for the occasion of Ekushey television’s first anniversary named ‘Ekusheyr Halkhata’ which is copied even now for the programme of any television’s anniversary programme. He used to direct and present ‘Meril Prothom Alo’ taroka jorip’ award show. The show was very popular because of him.

Many private channels’ slogans were given by Sanket as well. He came up with ATN Bangla’s slogan, ‘Abirum banglar mukh’, NTV’s ‘Shomoyer sathey agameer pothey’. He has also performed in some movies. In personal life Hanif is married with a son, Fagune and a daughter, Bornona.

Sanket interviewed Goher Ali, a beggar in the village of Sikarpur of Naogaon district as part of Ityadi’s 21st anniversary special. Ali manages his livelihood by taking rice, lentil and different things as alms. Along with them he also takes ‘taler aatee’ (palm seeds) as alms. With these seeds he nurtures 12,000 trees in Rajshahi and Naogaon highway, creating a greener Naogaon. Ityadi, living up to reputation as a social conscience, honoured the man with a cheque for taka two lakh. In the interview, Ali says ‘I want to die peacefully.’ Sanket replies, ‘We want you to live forever’.

Sixteenth century ivory in Manikchhari

Two ivory tusks, dating back to the 16th century, have been found at the Mong Raja's residence under Manikchhari upazila in the hill district Khagrachhari.

The ivory give insights into the life styles of the Mong King and his family. Until now the tusks were under the possession of Unika Devi, daughter of the late Mong King Mong Prue Chaine, who passed away in 1991, said sources.

While asked to comment, Rajib Roy, husband of Unika Devi, told this correspondent that the tusks were the second largest found in the sub-continent. He pointed out that the largest ivory tusk belonging to Tipu Sultan measured at 18 feet.

Mentioning presidents and government high-ups who visited the Mong King's residence, Roy said that quite a few had expressed their desire to take the ivory tusks back with them. “However we put up a stiff resistance as we take pride in these ancient remains which attract many tourists,” he concluded.

Painting competition: Grooming young talents for the future

A painting competition for children was held recently to observe February 21. The event was organised at the premises of Shilpacharya Zainul Abedin Sangrahashala.

Development Wheel (DEW), a non-government organisation, arranged the event for primary school students in three groups. A total of 70 children, including 11 physically challenged students, from different educational institutions here, took part in the competition, titled 'How we wish to see our parents'.

The judges of the art competition were assistant keeper of the Sangrahashala, Dulal Chandra Gain; Sajeda Begum Saju and artist Abdur Rouf, lecturer of Shilpacharya Zainul Abedin Fine Arts Institute, Mymensingh. Nine children from three groups were selected for awards.

Earlier, deputy commissioner of Mymensingh, Mohammad Ziaur Rahman Khan inaugurated the competition. Among others advocate A.H.M Khalequzzaman; Mymensingh Press Club secretary, Zillur Rahman Khan; principal of Muslim Girls School and college Mohammad Shahabuddin; president of Bangladesh Mohila Parishad local unit Ferdous Ara Mahmuda Helen, journalist Shanta Mariya; executive Director of DEW Shah Abdus Salam and Rezaunul Haq also spoke at the inaugural ceremony.

The speakers said that children are the hope for the future and, therefore, even at an early age they should be properly guided so that they can bond better with their parents.

Later, the chief guest distributed prizes and certificates among the winners.

Budding beauty tips for Spring

Spring brings pretty colors, flirty skirts and warm weather worth enjoying. With nature blooming all around, its no wonder that we're all looking to bust out of this winter gloom. If you'd like a new and exciting change from your traditional beauty routines, check out these hot tips just in time for spring!

Pinks of any hue will do. Sport pink on your eyelids, cheeks, nails and lips for a deliciously delicate look. No matter what your skin tone or hair color, spring is the time when you can really pull off pink in a big way.

Go daring with green. Especially on the eyes, metallic greens make a great beauty statement. In fact, shades of green have really stolen the limelight this spring. Using a shade that works for you, draw attention to your eyes by playing them up a bit. Don't be afraid to go dark, but if you do, remember - intense eyes should be paired with soft, subtle lips. Use a softer shade or a slick gloss to achieve this result.

White is the new black. When intensifying your eyes with eyeliner, don't be afraid to experiment with different colors. Browns and navy blues are fine, but don't forget about the fresh looks you can achieve with white and silver eyeliner. If you aren't too keen on eyeliner to begin with, apply frosty white and silver shades to your eyelids in a powder or gel form.

Go soft; go sheer; go glossy. To complement the bold and inspiring looks accenting the eyes, choose softer hues for the lips. Simple lip-gloss and Chap Stick products give your lips a tasty and therapeutic treat, but don't forget about adding some subtle color. Apply traditional lipstick in lighter colors or use liquid lip products for a wet and glossy glow.

Don't skimp on the color. Especially when dressing up the eyes, be generous with your colo rs. Neutral tones are fine, but have a little fun with brighter and wilder hues. The shades you select should draw attention to your beautiful faces and your gorgeous eyes.

Engage in metallics. In an effort to accentuate your eyes, sparkly metallic colors will truly make a great expression. Metallic green, steel and other shades will look stunning with your complementing makeup and your sexy wardrobe.

Rock out with longer, more noticeable lashes. Long and sexy eyelashes give your peepers a great lift. Apply a glossy or sparkly topcoat to your lashes after your mascara dries for ultimate sheen and a fabulous "wet" look.

If you have long hair, opt for natural, loose waves. For shorter hair, high, glossy ponytails are a must thing spring. To get super high shine, use a deep conditioner once a week as well as a hair mask. Also, it is imperative that you use a shampoo and conditioner that caters to your hair type.

For eyes, don't throw out your black eyeliner just yet. The smoky eye will also be very popular this spring with well-contoured eyebrows. Try something new and match your eyeliner to your outfit. For a new twist on the smoky eye, blend black eyeshadow with green, brown or purple. And don't forget those thick eyelashes!

Cheeks should look natural, so apply a rose-colored blush. But of course, make sure you use whatever color blush your skin tone will match with, as long as it is a natural shade that will complement your complexion.

Dark nail polish is in. Think chocolate browns, metallics, reds and purples for a dramatic effect.

Groundbreaking romance

Saad Hammadi becomes a believer in the Bangla film industry when he watches the much-hyped new movie Monpura.

Even before Monpura premiered on February 13, the buzz was that the movie would be something beyond the stereotype. And after all, how often has a Bangla movie offered anything non-formulaic?

All tickets were sold out at the Cineplex for the first three days. At the Balaka Cineworld, the queues for the evening show at 4:30pm reached the streets outside the theatre premises. No tickets were available there either. I was given access to the hall but for the two and a half hours I had to be on my feet. The movie I had gone to watch without interest surprised me so much that it was worth the effort.

Six months ago the soundtrack was released and became instantly popular, the radio playing the songs over and over and people buying the album with anticipation for the movie. But honestly, to feel the essence of the music, you need to hear them at theatres like Star Cineplex and Balaka.

The movie breaks off a love story through the acquaintance of Shonai, (played by Chanchal Chowdhury) and Pori, (played by Farhana Mili) on the island of Monpura. A house help of a rich and influential family, Shonai was framed for a murder his employer’s son committed. Citing to protect him from the police, Shonai’s employer, Gazi (played by Mamunur Rashid) sent him to the island of Monpura where he looked after Gazi’s herd of goats and cows.

Then one day, he was awestruck by the sight of the beautiful Pori who turned her boat by the island and waited for her father to catch fish from the river. The audience applauded and cheered on the stars as they made their first appearances in the movie, Chanchal bathing in the river and Farhana on the boat.

In that brief moment of acquaintance, their mute stare at each other and those subtle smiles revealed an attraction between the two. They start meeting frequently. Then one day, when visiting Shonai at the island, Gazi comes across Pori.

Gazi, who is eager to marry his mentally ill son off, had found the ideal bride in Pori. A cunning Gazi convinces Shonai to take his marriage proposal to Pori’s father but the inner motive was to find out where she lives.

The twist in the movie begins when Gazi takes proposal for his son, Halim instead of Shonai to Hakim Ali (played by Fazlur Rahman Babu). And though Hakim initially refuses to accept the proposal, his greed for the wealth Gazi promises him prevents him from resisting too long.

Shonai rushes to Pori swimming across the river and together they plan their escape. The next night Pori waits at the shore holding a torch for Shonai to swim down the river but he does not arrive. He gets picked up by the police for the murder charges Gazi places on him.

Pori is married off to Halim (played by Monir Khan Shimul) against her will. As Shonai bides his time during his prison sentence, Pori is told that Shonai has been sentenced to death and he will be hung on a Friday night at 12:01am. A shattered Pori poisons herself the very day Shonai is granted bail.

Not all movies have a happy ending and Monpura is one of those path breaking movies that can get the adrenaline rush into audiences and bring out emotions. Beginning from the music composition, (since it was released earlier) to the movie’s cinematography, location and plot have together integrated the movie into a purely romantic movie. Not just the actors on screen but the entire crew of director Giasuddin Selim did a fantastic job to celebrate this much-anticipated movie of the year. Monpura uplifts the genre of Bangla movies from its disdained image and shines a ray of hope for the film industry.

Bangladeshi Film Festival in India

A festival of Bangladeshi films, the first of its kind organised in India, was recently held at the renowned Film and Television Institute of India (FTII), says a press release. Running from February 20-22, the festival featured a selection of films by some leading Bangladeshi filmmakers. The festival was organised by FTII in collaboration with the National Film Archives of India.

The festival opened with the screening of Tareque Masud's “Matir Moina”. Other films shown at the festival included Tanvir Mokammel's “Chitra Nadir Pare” and “Shapno Bhoomi”, Abu Sayeed's “Nirantor”, Shameem Akhtar's 'Ittihash Kanya”, and Tareque and Catherine Masud's “Muktir Gaan”. Filmmakers Tareque Masud, Catherine Masud, Tanvir Mokammel, and Abu Sayeed were present at the festival to introduce their films. Each screening was followed by an in-depth Q and A with the directors and discussion on various aspects of Bangladesh cinema, moderated by eminent Indian filmmaker Sayeed Mirza and FTII faculty member Gayatri Chatterjee. Also present at all the festival programmes as host and organiser was FTII Director Pankaj Rag.

The festival attendees included students and faculty of FTII as well as eminent Indian film personalities such as Indian National Archives founder PK Nair and renowned documentary filmmaker Anand Patwardhan.

Beauty, grace, eloquence personified

She is a popular TV personality who exudes glamour. She has been featured in many ads and plays and has made a name for herself. Model turned actress, and now also a TV show host, Farah Ruma, began her career at a young age.

Farah grew up in Chittagong. “I was quite mischievous as a child. But I was also solidly grounded in the sense that I could always differentiate right from wrong and act accordingly,” says Farah. In 1990 she moved to Dhaka and started taking dance lessons. That turned out to be fortuitous for the young girl as her dance teacher persuaded her to take up modelling.

Farah continues, “I considered myself smart and fashionable. I began walking the ramps and met many renowned personalities, Bibi Russel being one of them.” Farah went on to become one of the top models of the country in late '90s.

In 1997, Farah firmly established her position in the glamour industry by becoming the Lux Anondodhara Photoshundori. Since then there has been no stopping her and Farah started to work in a large number of ads. Farah says, “I did not take my career seriously back then. I was busy concentrating on my studies and had no idea what the future had in store for me. It was Afzal bhai who said that I had the looks and talent and suggested that I make use of my potential.”

Farah entered the TV industry with a bang, impressing both the audience and critics with her promising portrayal of a role opposite actor-director Afzal Hossain in a play called "Shankho" (written by Anisul Haque and directed by Afzal Hossain).

Farah kept a low profile for a year or two and came back with another memorable performance in the play, "Shubho Drishti" in 2004. “I consider this to be one of my finest works. I have continued acting since then,” she says. Farah has done many challenging roles in her career and has proved her talent. She has also worked with a number of prominent stars in the industry and her performances have always been widely appreciated.

Farah Ruma has proven that an effective model can be an effusive actor too!

Versatile Actress Shimu

She is famous for her hypnotizing acting. She feels each of her character and dig in to deep. That’s why she enjoys acting in the versatile role rather then acting in monotonous role. As she loves her acting from the deepest of her heart she is going her Mphil in theater and drama. Several dimension of her is portrayed through this report:

Shumaya Shimu started her Journey in showbiz through an advertisement of Breeze soap and her first ad was shooted outside of the country, in Mumbai city. When we asked her about the main difference of working in Bangladesh and Mumbai she went into her world of memory by closing her eyes. She opened her eyes after a moment and stilted saying- “Lets share about the experience of my first ad. 1 reached to the studio of Mumbai around at 2:00 PM. After going there 1 realized probably they were designing the set since the morning or the day before that day. They are so sensitive to the quality of their work that they don't want to keep any gap in set decoration. Besides they are rich in both the human resource and technology. There are separate skilled human resources in makeup, getup and hair style where as in our country we ourselves need to do make up, gate up or hairstyle. In Mumbai the producer want their artist to solely concentrate on his or her role, there the artist are not even allowed to touch her hair because they want hundred percent concentration and dedication from the artist. They give proper respect to the artist that I can not explain in words. Compare to us they are many times sincere and professional in makeup, gate up and technical side. In our country also situation has started to change and 1 hope in future it would improve much".

Though Sumaiya Shimu had many scope to flourish as a model, she herself preferred to be an actress that's why viewers are busy in remembering the actress Shimu rather than model Shimu. She loves acting and it is with her existence and that's why she is one of the most popular faces of the small screen. Drama is a source of entertainment of the mass people of today's huge number of TV channels and with that flow Sumaiya Shimu has accustomed her very well because acting is profession and addiction to her. Sumaiya Shimu is in love with acting and to show her versatility she is always in hunt of multifarious character and she thinks that new dramatist and play writer and directors are doing justice to that. She thinks that her feelings and love affair with acting is the key to success. She keeps on reading script before the camera starts rolling because she tried to mesmerize herself with the character, Sumaiya Shimu is a dependable name to the director like Ferdous Hassan, SM Olik, Ashraful Alam Ripen, Fazlur Rahma. She believes that team work is the reason behind her success and she does not hesitate to give full credit for her success to her director.

The home district of Sumaiya Shimu is Norail. In her seven years of acting career she has acted in the remarkable drama like Akannobarti, Jogbiyog, Shaota, Babla, Kather Golui, Ctiondrongrontho, Chokher Aloi, Sesh Bikeler Meye, Kobi. Sopnochura, Mohanogor, Dohon, Idiot. Sumaiya Shimu did not limit her acting with in the small screen she has also acted in large screen. She has acted in a noticeable role of movie directed by Mostofa Sarwar Faruki though me role was small. When we wanted to know the reason behind not acting in other movie she said that "My role in me movie Bachelor was very small, but I did not even think that I would get such popularity after working in a small role like that After that 1 got offer of acting in many movies but finally I could not manage working in those movies, I don't know why, but I have a feeling mat-I wont be able to match with the commercial movie of our country, Other than that I don't get the inner feelings for acting in the movie that I get to act in small screen. But I might act in one or two movie if the story of the movie is very good and neat and clean".

I drama per week where as recently there are 8/10 drama per week and as there were limited number of drama at that time artists used to get more time per drama. As the director and artists both used to give more time and concentration the quality of those dramas were much better. Where as the number of drama have increased a lot due to the increasing number of channels that's why the quality of many dramas has decreased. As there was only one TV channel viewers used to get opportunity to watch all the drama but with the increasing number of channels viewers can not see all the drama now a day. But there are quality drama as well n recent times as before but changes have occurred in direction and making". Sumaiya Shimu continued discussion about many of her character such as Oporna of the drama serial Sopnochura. She said that "This comedy character was challenging for her and she was in tension about her acceptability among the viewers" but lastly she has become successful for her acting skill and viewers and her surroundings have praised her for her acting in this character. She also says that "I am satisfied by my own acting".

While comparing the quality of the drama of past and present Sumaiya Shimu has says that in the past days there used to be

I drama per week where as recently there are 8/10 drama per week and as there were limited number of drama at that time artists used to get more time per drama. As the director and artists both used to give more time and concentration the quality of those dramas were much better. Where as the number of drama have increased a lot due to the increasing number of channels that's why the quality of many dramas has decreased. As there was only one TV channel viewers used to get opportunity to watch all the drama but with the increasing number of channels viewers can not see all the drama now a day. But there are quality drama as well n recent times as before but changes have occurred in direction and making". Sumaiya Shimu continued discussion about many of her character such as Oporna of the drama serial Sopnochura. She said that "This comedy character was challenging for her and she was in tension about her acceptability among the viewers" but lastly she has bcome successful for her acting skill and viewers and her surroundings have praised her for her acting in this character. She also says that "I am satisfied by my own acting".

The journey of a super ramp model

It is not long that Mou has entered the showbiz media. It was just a blind throw or might even a good luck that she participated in the beauty contest. She just took a chance out of curiosity and thought that 'lets see what happens'! So she enrolled her name in the ‘Goalini Binodon Biehitra Beauty Contest 2006’.

The contest began and she was able to come across few phases very easily. Gradually her dormant talents started to flourish and she reached the best fifteen. At last she was declared as the runners up in the final round which w as like a dream to her. Her dream came true. Thus the wheel of her luck had a U-turn after that day.

After this, Mou introduced herself on the ramp modeling with the help of an exceptional choreographer 'Luna'. She discovered this hidden glamour during the contest period. Her fist performance was at one of the random fashion shows in Chittagong at the Peninsula Hotel. In this regard, she informed 'Stardom1. "I was pretty so nervous on that day that I even forgot some of the queues But Tumpa apu helped me so much and also encouraged me a lot.

Finally I w as able to complete all the queues very successfully," Thus Mou concentrated more on the ramp oriented works. Besides she also worked in some of the TV shows for some changes her debut work on the television screen was "Honeymoon" a telefilm by Debashish Biswas. Gradually she also performed in ‘Mealier Deshey Jonaki’ a telefilm by Debashish Biswas, and 'Ha Ja Ba Ra La’' a TV by Debashish Biswas, "Shesh Qbodi a TV play by Hassan, ‘Kom Boyosher Hirik’ a TV plav by Habib and soon.

Moreover she has also proved herself successful in terms of tv ads for different brands; such as Warid Telecom, Dhaka Bank, HSBC Bank, Rexona, Mojo, Lizan Mehedi and etc. Not only these, she has introduced herself as a professional tv program anchor by her tremendous performance in a 7-episode program “Rhythm & Dance”.

“Which one do you prefer most among the rump, modeling and TV acting?” She responded to this question by Stardom, “I feel quite comfortable to the rumps. Rump is more preferred to me because I find it much more appealing than acting. It does not mean that I am not interested in others but when it is the time to choose either TV acting or Photo shooting. I will go for the Photo shoot. But in future, I will also build up myself us an Actress because one of my dreams is to become a celebrity actress.”

“What are the things you care while working on the ramp?” She replied to this question. “From my point of view, the main objective of the fashion shows is to showcase the dresses properly the audience. So I always try to highlight the dresses properly to the audience which I wear on the rump. But I also pay need to the decency and politeness. My idol in the ramp modeling is “Tumpa Apu”. I completely follow her. Tumpa apu always helps me out when I am in some problems regarding the rump modeling.” Nowadays Mou is building her academic career in fashion designing at NIFD. Besides she will continue her acting career.

Nova is on focus

I was too excited at the time of receiving the CJFB award from Azizul Hakim and Mrs Hakim and that excitement was indescribable. This award was unexpected to me. After getting this award, I have concentrated more on acting. After getting any award, people’s thinking about work change, I am realizing that now, said by the new actress Nova. Really Nova has become choose and careful about drama and also her character selection than the past.

Presently various TV channels are telecasting Nova’s acted drama; Doll’s House, Adda, and Houseful. Nova is getting expected response from the audience. In the Doll’s House, she is acting as the daughter of Fazlur rahman Babu and Wahida Mallik Joly.In this drama I am acting as a soft minded cadet college student. ATN Bangla is now telecasting drama serial Nupur by Aruna Biswas.Nova is also acting in this drama. In this drama, Nova’s character has attracted the audience. I had to learn dance for the character of Nupur Nova, said. In the past, I didn’t know how to dance that’s why I faced difficulties at the time of learning dance but the dancing choreographer and the drama director Aruna Biswas helped me to overcome this. It was challenging for me to act in this drama. At one point, I died, that’s why I am not working in this drama now. But I received positive response from the audience till my acted last episode. Nova’s acting career started through “Prem and Ghamer Golpo” by Aunimesh Ice.

Currently, NTV is telecasting Nova acted drama serial ‘Houseful’. She said that, she had lots of fun acting this drama. I have completed “Ghorar Dom” directed by Aronno Anwar,said Nova about her present work. In this drama, my character is as a dreamer and love sick girl. Every now and then I change my lover. It is a funny character. The audience will enjoy the character very much. Either than these, I worked a one hour’s Valentine Day drama directed by a new director Rony. I have worked there as a University student. It is a romantic drama. She had never dreamt about becoming an actress, but now she has to cat whole the day, this continuous acting felt her love with acting. In every drama, her great performance is advancing her step by step. She not only watches her acting on the TV but also watch other’s work to measure herself. I like many actresses of my time, but I specially like Lux star Momo’s acting. Momo performed exceptionally well in the drama serial ‘Nir’. Momo also performed very well in the film ‘Daruchini Dip’.Bindu is also a great performer. She is very helpful towards her co-artist. Nova’s favorite producer’s list is very long. She feel ease working with all producers with whom she worked till now. But about some favorite producers of her, she said that, ‘I started my acting career with Animesh Ice. Naturally I feel pleasure working with him. I learnt lots from the work of ‘Boishakh theke Srabon by Choyonika Chowduri.

I also get pleasure working with Aronno Anwar. Without working with him, it is impossible to measure that how funny he is. He is very careful towards the artist. Arun chowdury and Alvi Ahmed is also very good at directing.